Etienne Charles and Creole Soul
|10:00 PM||Etienne Charles|
Featuring: Etienne Charles and Creole Soul-- Godwin Louis, Alex Wintz, John Davis, Sullivan Fortner, Michael Olatuja
|Session #3||Performance||Ronnie Wells Main Stage|
Featuring: Etienne Charles
|Interview||Billy Taylor Room|
ETIENNE CHARLES: Recording Artist, Composer, Arranger, Assistant Professor of Jazz Studies, Michigan State University
One of the most compelling and exciting young jazz artists ushering the genre into groundbreaking new territory is trumpeter/bandleader Etienne Charles, who, still in his 20s, has already recorded three impressive and well-received albums for his own Culture Shock Music imprint. His new album, Creole Soul, is a captivating journey of new jazz expression. It buoyantly taps into a myriad of styles rooted in his Afro-Caribbean background and plumbs the musical depths of the islands, from calypso to Haitian voodoo music. Also in the jazz amalgam mix are rock steady, reggae, belair, kongo and rock as well as the influence of Motown and R&B music Charles listened to on his parents’ record player when he was growing up.
“Jazz is Creole music,” says Charles who was born in Trinidad, relocated first to Florida and then New York to further his jazz studies (graduating, respectively, from Florida State’s and Juilliard’s jazz programs) and today teaches jazz trumpet at Michigan State University. “As a person in the new world, I’ve been influenced by so much music. And my family has a mixed background, with French Caribbean, Spanish and African roots as well as Venezuelan influences. I come from a fusion of rhythms, a fusion of cultures. That’s what this album is all about: focusing on soul music that is Creole at heart.”
As befitting an artist who excels with such a diversity of musical styles, Charles has performed with a range of musicians, from Roberta Flack, Rene Marie and David Rudder to Wynton Marsalis, Johnny Mandel, the Count Basie Orchestra and Maria Schneider. He also worked with steel pan all-star Len “Boogsie” Sharpe as well as jazz masters Frank Foster and Benny Golson.
Charles was taught by one of his mentors, primo jazz pianist and Florida State professor Marcus Roberts, that “going backwards is the only way to go forward.” So, while the 10-song Creole Soul is steeped in the jazz tradition, the spirit of the Caribbean also drives it. The young trumpeter, in addition to composing six originals, delivers his unique spin on Creole-oriented tunes from past masters, ranging from Bob Marley to Thelonious Monk. The album—at turns, rootsy, spicy and grooving—features at its core Charles’ crisp trumpet intonation and his lucid melodic lines. Joining the leader for the Creole music adventure is Charles’ band, comprised of tenor saxophonist Jacques Schwarz-Bart, alto saxophonist Brian Hogans, Kris Bowers on piano and Fender Rhodes, bassist Ben Williams and drummer Obed Calvaire. Guests include vocalist Erol Josué, guitarist Alex Wintz and percussionist/vocalists Daniel Sadownick and D’Achee.
“..Etienne Charles exhibits both an authentic preservation of the music of his native culture of Trinidad as a composer and bandleader, while broadening our scope of understanding through the collaborative sound of American jazz as it meets new colors, new textures, and new motifs across the world. It will certainly bring more of our public into the jazz audience” – Marcus Roberts
“An amazing Trumpet player, and Steel Drum player, and Cuatro player…young Trinidadian who has held onto his heritage” – Monty Alexander
“A daring improviser, Charles also delivers with heart-wrenching lyricism” – Jazz Times
“…had strength and a clear, almost classical sense of thematic organization.” – New York Times
“The music was not simply reworked….Charles seemed to dissect the music studying every note and then proceeded to weave elements of Dixieland, Francesca, modal, bebop and modern styles into his arrangements, all while maintaining the integrity of the original compositions. “ – Trinidad Express
Library of Congress Performance
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